BY LAW 

Long-distance Relationships. Gallery KVOST 
/ Berlin, Germany. 2024 

BY LAW. Museum of Emigration
/ Gdynia, Poland. 2022

21. SURVIVAL Art Review ERZAC
/ Wroclaw, Poland. 2023

BY LAW is a poetic reflection on migration, bureaucracy, and the legal recognition of relationships, created by artists Lesia Pcholka and Uladzimir Hramovich. The central element is a wedding bouquet. Each flower marks a country’s on the map where the couple lived after their forced emigration from Belarus following the protests of 2020–2021. While marriage registration may seem like a simple administrative process, for migrants it becomes a necessary act of resistance and care, as they often have no one close to them in exile. 

The installation incorporates video and sculptural elements, as well as found architectural forms that serve as a base for the bouquet. The shape of the bouquet changes depending on the exhibition context, emphasising its fluidity and adaptability. When presenting the work, the artists explore the host country's legal frameworks and attempt to obtain documentation for relationship registration. With the support of the Museum of Emigration in Gdynia, where the work was first exhibited, and through a court process, the artists received official permission to register their marriage in Poland. They continue to seek such documentation, treating the process of obtaining legal recognition as part of the artwork.

As part of the performative gesture, the artists create pseudo-legal documents, symbolically assuming the role of the institution of marriage — a structure traditionally monopolized by the state. By issuing “marriage certificates” with stamps and signatures to gallery visitors, they perform an emancipatory act: asserting the right to recognition, love, and care beyond state sanction.

The work highlights how critical documents such as marriage certificates can be for migrants in accessing healthcare, legal protection and institutional recognition. BY LAW raises questions about the legal status of artist migrants and their access to protection in host countries, including institutional care and the visibility of migrant artists engaged in culture within legal frameworks.