LESIA PCHOLKA


Lesia Pcholka is a visual artist born in Belarus, currently lives and works in Berlin/DE and Bielsk Podlaski/PL

Curator of the VEHA archive platform, which is dedicated to researching and preserving vernacular Belarusian archival photography.

Pcholka’s practice brings together archival methods, collective memoriesy, and historical continuities to show explore how the past shapes contemporary life in Belarus and beyond. Through photography, video, and installation, she explores the tension between official narratives and undocumented histories, focusing on voices often silenced. Her work situates Belarus within a broader comparative frame, tracing parallels with other authoritarian contexts while also probing spaces of resistance. Exile sharpens her attention to displacement, belonging, and fragile memory, while gender perspectives inform her sensitivity to embodied experience and power. By mobilizing community archives and approaches in experimental storytelling, Pcholka creates layered narratives that move between personal and political, private and collective — reimagining how histories can be remembered and resisted.



PČOŁKA / PCHOLKA / PCZOŁKA


soon : 

  

 

 

DESCENT INTO THE MARSH

photodocumentation of the protests 
 

LIMINARIUM. Theaterhaus / 2023. Stuttgart, DE


Every Day. Art. Solidarity. Resistance. Gallery Mystetskyi Arsenal / 2021. Kyiv, UA



Published in late 2024, just before Belarus’s 2025 elections, this book addresses an ongoing repression, whereby thousands have been incarcerated as political prisoners and around a million people have been forced to flee. In it, the author presents a series of photographs taken since 2020 and connects the recent protests in Belarus with those in Hong Kong, highlighting these two cases as exemplars of modern resistance shaped by digital control and China’s geopolitical influence.

The seven chapters, illustrated with photographs from Belarus and Hong Kong, explore common tactics and symbols: gestures of unity, the symbolic use of colour, and objects such as umbrellas that represent protection and resilience. Artistic expressions, such as Hong Kong’'s Lennon Walls and those in and Belarusian courtyards, highlight typify grassroots creativity and the importance of ephemeral protest spaces. The leaderless, decentralizsed nature of both movements highlights signals their adaptability. Hong Kong's “Be Water” strategy and Belarus's horizontal organising emphasiseemphasize the criticality of collective action while in the face of evading authoritarian crackdowns.

The book also examines the exchange of repressive practices between the regimes in China and Belarus, focusing on the role of surveillance technologies. The combination of modern surveillance with traditional methods of intimidation points to the evolving challenges facing protest movements.

While neither movement achieved its immediate political goals, both left a lasting impact on cultural and societal transformationculture and society. "Descent into the Marsh" is a visual document of protest that highlights the universal human quest for freedom and dignity. The book functions as an open archive, regularly updated with new media articles and reflections on ongoing struggles, providing a lasting record of unfinished events that remain unblocked and uncensored online.


 



ISBN 978-3-00-081038-1



AUTHOR : Lesia Pcholka
EDITOR : Black Seeds in Hong Kong
CURATOR : Katarzyna Zielinska 
DESIGN : Karolina Pietrzyk, Tobias Wenig
EDITION : 250 copies  


︎︎︎ Skaryna Press (online) ︎︎︎Encounters. Berlin, DE ︎︎︎B Books. Berlin, DE︎︎︎ Bęc Zmiana. Warsaw, PL + online