LESIA PCHOLKA


Lesia Pcholka is a visual artist born in Belarus, currently lives and works in Berlin/DE and Bielsk Podlaski/PL

Curator of the VEHA archive platform, which is dedicated to researching and preserving vernacular Belarusian archival photography.

Pcholka’s practice brings together archival methods, collective memoriesy, and historical continuities to show explore how the past shapes contemporary life in Belarus and beyond. Through photography, video, and installation, she explores the tension between official narratives and undocumented histories, focusing on voices often silenced. Her work situates Belarus within a broader comparative frame, tracing parallels with other authoritarian contexts while also probing spaces of resistance. Exile sharpens her attention to displacement, belonging, and fragile memory, while gender perspectives inform her sensitivity to embodied experience and power. By mobilizing community archives and approaches in experimental storytelling, Pcholka creates layered narratives that move between personal and political, private and collective — reimagining how histories can be remembered and resisted.



PČOŁKA / PCHOLKA / PCZOŁKA


on view : 

 


THE PRAYER AGAINST THE FOG OF HISTORY

Video, 4:26 




Lesia’s work delves into the intricate connection between mystical rituals and political pressure within authoritarian regimes. She uses the 2020 Belarusian revolution as a poignant example, examining the profound trauma it caused and the visual symbols that accompanied it. In her video works her voice can be heard whispering an ancient spell originally used by healers. That ultimately seeks to exorcize the trauma of political exile and the impossibility of returning home.

The video’s ritual is juxtaposed with drone footage captured in the spring of 2023, unveiling diverse regions of the country from a vantage point unattainable for the average Belarusian. This bird’s-eye perspective offers an insightful comprehension of the boundaries that define one’s “territory”. Bearing in mind that this prospect is no longer available , as drone photography has been banned in Belarus since the summer of 2023. Lesia’s work underscores the significance of self-identity and belonging to a community, emphasizing that it extends beyond the notion of imagined communication, reaching a deeper and firmly rooted connection than the one often arbitrarily drawn lines of the “nation-state”. The 2020 revolution played a pivotal role in envisioning individuals as an integral part of a larger narrative. It flowed through the streets of different cities, manifesting a vision of the future and branding itself with symbols that conveyed this vision.